Relief sculpture has a long history and continues to develop with the evolution of the times. As a kind of humanistic creation, relief always shows and enriches human history and civilization with its unique artistic form; As a visual art, relief, together with other art forms, records and constructs the evolution track and prosperity of art with its occurrence and development. Relief is more used to express aesthetic will, optimize social and cultural environment and spread the spirit of the times. Under the influence of new technology, new knowledge and new ideas, modern relief sculpture presents a diversified and rich development trend.

在创作过程中，艺术家受到诸如观念与审美、材质与工艺、创作心理与时代需要等要素的制约。正是这些制约、构成了浮雕雕刻特殊的艺术本质和语言形式。雕塑家只有充分利用这些要素制约，熟悉其创作形态及语言形式的特殊性，扬长避短，“不择手段“地发挥自己特有的灵感，才能在创作的天地中自由驰骋。地方文化历史传统、人群的自然构成及他们的生活方式，心理因素等条件都成为浮雕创作的背景材料，雕塑家凭借一系列背景材料形成他们独特的创作意识和表达语言。

In the process of creation, artists are restricted by elements such as concept and aesthetics, material and technology, creative psychology and the needs of the times. It is these constraints that constitute the special artistic essence and language form of relief sculpture. Sculptors can only make full use of these factors, be familiar with the particularity of their creative form and language form, and develop their strengths and avoid their weaknesses, Only by giving full play to their unique inspiration by "unscrupulous means" can they gallop freely in the world of creation. Local cultural and historical traditions, the natural composition of people, their lifestyle and psychological factors have become the background materials of relief creation. Sculptors form their unique creative consciousness and expression language with a series of background materials.

浮雕雕塑是人类精神文明发展的新动态，其产生有着相关的时代背景与社会需要。不同时代的社会呈现出不同的面貌与特征，浮雕雕刻空间形态在当代发展的规模与开放性决定了它是造型艺术领域中大众性与开放性的一门艺术。现代雕塑家面对人类新的文化生存环境所进行的浮雕雕刻创作的思索，他们的思想越过表现界面规定的框架，在整体建筑空间和环境中跳动。特别是存在于大型公共建筑物或纪念性空间的室外浮雕，更促使雕塑家对环境进行时间和空间方面所具有的深层内涵挖掘。

Relief sculpture is a new trend in the development of human spiritual civilization. Its emergence has related era background and social needs. The society of different times presents different features and characteristics. The scale and openness of the contemporary development of relief carving space form determine that it is an art with great popularity and openness in the field of plastic arts. Modern sculptors think about the creation of relief sculpture in the face of the new cultural living environment of mankind. Their thoughts jump across the framework specified by the performance interface and jump in the overall architectural space and environment. In particular, the outdoor reliefs existing in large public buildings or memorial spaces encourage sculptors to excavate the deep connotation of the environment in terms of time and space.

所谓时代与社会的发展必然体现于大众之愿，那么浮雕的存在与发展不能自行所愿，浮雕雕塑以创造的想象作用于人所处的空间，并与其他因素通过特定方式的组合使“空间”成为特定的“场所”，通过美的创造使之具有精神方面的内涵及意义。浮雕雕刻是以建筑为主体的文化生态环境一个组成部分，因而雕塑家应具备建筑及城市空间环境方面的基本知识，注意建筑环境的结构、空间光线、物体色彩、环境气氛与浮雕的互相作用。

The so-called development of the times and society must be reflected in the wishes of the public, so the existence and development of relief sculpture cannot be desired by itself. Relief sculpture acts on people's space with creative imagination, and combines with other factors in a specific way to make "space" a specific "place", which has spiritual connotation and significance through the creation of beauty. Relief carving is an integral part of the cultural ecological environment with architecture as the main body. Therefore, sculptors should have the basic knowledge of architecture and urban space environment, and pay attention to the interaction between the structure of architectural environment, space light, object color, environmental atmosphere and relief.

浮雕雕刻源远流长，并不断随着时代的演化而发展。作为一种人文创造，浮雕始终以其独特的艺术形式展现、丰富着人类的历史与文明；作为一种视觉艺术，浮雕与其它艺术形式一道，以它的发展记载、构筑着艺术的演进轨迹与繁荣景象。浮雕更多的被用来表达审美意志，优化社会文化环境及传播时代精神。现代浮雕雕刻在新技术、新知识、新观念的影响下，呈现多元化、丰富性的发展态势。在创作过程中，艺术家受到诸如观念与审美、材质与工艺、创作心理与时代需要等要素的制约。

Relief carving has a long history and continues to develop with the evolution of the times. As a kind of humanistic creation, relief always shows and enriches human history and civilization with its unique artistic form; As a visual art, relief, together with other art forms, records and constructs the evolution track and prosperity of art with its occurrence and development. Relief is more used to express aesthetic will, optimize social and cultural environment and spread the spirit of the times. Under the influence of new technology, new knowledge and new ideas, modern relief carving presents a diversified and rich development trend. In the process of creation, artists are restricted by elements such as concept and aesthetics, material and technology, creative psychology and the needs of the times.

正是这些制约、构成了济南浮雕雕塑特殊的艺术本质和语言形式。地方文化历史传统、人群的自然构成及他们的生活方式，心理因素等条件都成为浮雕创作的背景材料，雕塑家凭借一系列背景材料形成他们独特的创作意识和表达语言。

It is these constraints that constitute the special artistic essence and language form of relief sculpture in Jinan. Local culture, history and tradition, the natural composition of people, their lifestyle and psychological factors have become the background materials of relief creation. Sculptors form their unique creative consciousness and expression language with a series of background materials.