浮雕是雕塑与绘画结合的产物，用压缩的办法来处理对象，靠透视等因素来表现三维空间，并只供一面或两面观看。在建筑上使用更多，用具器物上也经常可以看到。近年来，它在城市美化环境中占了越来越重要的地位。下面山东浮雕雕塑厂家来讲讲浮雕的表现形式。

Relief is the product of the combination of sculpture and painting. It deals with objects in a compressed way, and represents three-dimensional space by perspective and other factors, and is only available for viewing on one or both sides. It is used more in buildings, and can be seen on utensils and implements. In recent years, it has played an increasingly important role in urban beautification. Next, Shandong relief sculpture manufacturers will talk about the forms of relief.

浮雕压缩

Embossed compression

即对一个固体空间假设有三条轴；X轴、Y轴和Z轴，其中X轴为垂直轴，Y轴是水平轴，Z轴是纵深轴。在做浮雕时，保持X轴与Y轴不变，而压缩Z轴并将以上的全部压缩在一个平面上就可以了。如何在保持X、Y、轴不变的情况下，先仔细把稿起好，再在离你远的一点涂上一层积土，再在近的点上涂上三层分的积土，如果你是做的近乎于圆雕浮雕也是如此，只是不要忘了随时缩小Z轴的比例。

It is assumed that there are three axes in a solid space; X axis, Y axis and Z axis, where X axis is vertical axis, Y axis is horizontal axis, and Z axis is vertical axis. When making relief, keep the X axis and Y axis unchanged, and compress the Z axis and compress all the above on a plane. How to keep the X, Y, and axis unchanged, first carefully draw up the draft, then apply a layer of accumulated soil on the point far away from you, and then apply three layers of accumulated soil on the point near you. If you are making a sculpture close to a round relief, the same is true, but don't forget to reduce the ratio of the Z axis at any time.

利用错觉

Use illusion

这种方法往往是用在多层次，复杂一些的构图中，往往是高、中、低浮雕的表现方式同时并用。常见的是前景人物采用涂浮雕法，随着物景的推移，越来越平，直背景只需稍稍刻画上去就可以了.在这里表现方式的界定标志是需要明确的。A、高浮雕即可能来对象背后面的感受。B、中浮雕要压缩Z轴的二分之一。C、浅浮雕一般可能就要压缩十分之一了。利用厚度的差异，就是利用人视觉上的错觉必要时可以把后面的物体推到前面来，甚处于一个平面上。

This method is often used in multi-level and more complex composition, and it is often the combination of high, medium and low relief. It is common for the foreground characters to be painted and embossed. As the scenery goes on, it becomes more and more flat until the background needs to be painted slightly. Here, the defining mark of the performance mode needs to be clear. A. High relief is the feeling that the object may come back. B. The middle relief should be compressed to half of the Z axis. C. The shallow relief may be compressed to one tenth. The use of the difference in thickness is to use the human visual illusion to push the objects behind to the front, even on a plane, if necessary.

外轮廓起位

Outer contour lifting position

指的是外轮廓与背景交界处前后轮廓和背景垂直高度的部位叫做起位，在观察学习别人的浮雕作品时，要特别留意，留意这些连接处是如何处理浮雕的一侧去观察艺术家对微小的变化之处是如何处理的，是如何使远处的那只眼睛刚为从眉笔下面露出来的。这个起位技术是浮雕中非常重要的，它可以把主体与背景拉开距离，使浮雕有了立体感，并表现出多层次。

It refers to the position where the front and back contours and the vertical height of the background at the junction of the outer contour and the background are called the starting position. When observing and learning other people's relief works, pay special attention to how these joints handle the side of the relief, and observe how the artist handles the small changes, and how the distant eye just emerges from under the eyebrow brush. This positioning technology is very important in relief. It can distance the main body from the background, make the relief have a three-dimensional sense, and show multi-level.

总之呢，浮雕是雕刻的一种，雕刻者在一块平板上将他要塑造的形象雕刻出来，使它脱离原来材料的平面。以上有关于浮雕的表现形式我们这就讲解完毕了，您对此有怎样的疑惑和需求，就来我们网站http://www.aswjc.com咨询看看！

In a word, relief is a kind of carving. The sculptor carves the image he wants to shape on a flat plate to separate it from the plane of the original material. We have finished the explanation of the above forms of relief. If you have any doubts and needs, please come to our website http://www.aswjc.com Consult!