The difference between stone carving and relief is its relative plane and three-dimensional. Its spatial form is the so-called compressed space between the two-dimensional virtual space of painting and the three-dimensional solid space of circular stone carving. Compressed space limits the free development of relief space. With the support of plane background, the solid feeling of circular stone carving is weakened, and more use of the virtual and illusion of painting to achieve the purpose of performance. Compared with round stone carving, relief carving is mostly based on the principle of painting to deal with the relationship between space and form.

然而，在反映审美形象的中心追求中，浮雕与圆圈完全一致，不同形式的手段只表现出一定的外观。浮雕作为雕塑艺术的一种类型，表现出雕塑艺术的一般特征，即浮雕艺术的审美效果不仅吸引视觉和触觉。同时充分发挥绘画艺术在构图、主题和空间加工等方面的优势，展示出事件和人物的背景和环境、叙事情节的连续性和转换、时空角度的自由切换、复杂多样的对象的插入和重叠等不能代表石雕的内容和对象。

However, in the central pursuit of reflecting the aesthetic image, relief and circle are exactly the same, and different forms of means only show a certain appearance. As a type of sculpture art, relief first shows the general characteristics of sculpture art, that is, the aesthetic effect of relief art not only attracts vision and touch. At the same time, it gives full play to the advantages of painting in composition, theme and space processing, and shows that the background and environment of events and characters, the continuity and transformation of narrative plot, the free switching of space-time angle, the insertion and overlapping of complex and diverse objects can not represent the content and objects of stone carving.
             

空间压缩度的选择应考虑物体的功能、主题、环境位置和光线，其中环境和光是决定性的。雕刻家总是能处理好这些关系，从而达到良好的视觉效果。

The choice of space compressibility should consider the function, theme, location and light of the object, in which the environment and light are decisive. Sculptors can always deal with these relationships to achieve good visual effects.

在表达审美思想感情的基本原则下，不同形式的救济具有艺术性的适应性。一般来说，高浮雕具有较大的空间深度和较强的可塑性，赋予其情感表达形式一种庄严、稳定、严肃、浓厚的效果和宏伟的气氛;浅浮雕是一种流动的线条和多点切割的平面图形构成，传达着轻轻的音乐般的和平与心境和抒情诗意的浪漫柔情。

Under the basic principle of expressing aesthetic thoughts and feelings, different forms of relief have artistic adaptability. Generally speaking, high relief has great space depth and strong plasticity, giving its emotional expression a solemn, stable, serious, strong effect and grand atmosphere; low relief is a kind of flowing lines and multi-point cutting plane graphics composition, conveying light music like peace and mood and lyric poetic romantic tenderness.

随着雕塑艺术的发展，石雕的相对独立性日益加强，然而，尽管浮雕更多地受到对平面或墙壁的依赖，但其独特的表现特征和丰富的石雕手段仍然是不可替代的。此外，其审美特征在推动现代艺术革命的同时也日益增强其相对独立性。对固定墙的依赖和适应性不再像对现代救济的古典救济那样强大、刚性和不可动摇。对于现代浮雕来说，墙作为一种载体或环境是自由和可选的，因此它有着广阔的自由发展空间。

With the development of sculpture art, the relative independence of stone carving is increasingly strengthened. However, although relief is more dependent on plane or wall, its unique performance characteristics and rich stone carving means are still irreplaceable. In addition, its aesthetic characteristics promote the modern art revolution, but also increasingly enhance its relative independence. The dependence and adaptability to the fixed wall is no longer as strong, rigid and unshakable as the classical relief to the modern relief. For modern relief, the wall as a carrier or environment is free and optional, so it has a broad space for free development.